About

Inez Storer was born in Santa Monica, California. She studied at the Art Center in Los Angeles, the San Francisco Art Institute, the University of California at Berkeley, and the San Francisco College for Women, ultimately receiving her B.A. from Dominican University in San Rafael, California (1970). She received her M.A. from San Francisco State University (1971).

Her work has been included in numerous group exhibitions throughout the country. Storer taught at the San Francisco Art Institute (1981-1999), Sonoma State University (1976-1988), San Francisco State University (1970-1973), and the College of Marin (1968-1979). She has received numerous grants and awards, including a Pollock-Krasner Foundation grant in 1999, the Buck Fund Grant (1995, 2004), and has worked twice as a artist in residence at the American Academy in Rome (1996, 1997). Her work is included in the permanent collections of the Fine Arts Museums of San Francisco, the Oakland Museum of California, the Lannan Museum in Fort Worth, Texas, the San Jose Museum of Art, and the de Saisset Museum at Santa Clara University. Storer’s work has been exhibited in solo exhibitions consistently thorough the United States at institutions such as the Reno Museum of Art, the San Jose Museum of Art, the Monterey Museum of Art, the Fresno Art Museum, Yerba Buena Center for the Arts, the Missoula Museum of Art, Montana, and The National Museum of Jewish History, Philadelphia and the Contemporary Jewish Museum, San Francisco. Storer lives in Inverness, California and maintains a studio in Point Reyes Station, California.

Portrait of Inez Storer

Artist’s Statement

Inez Storer’s work has been included in numerous group exhibitions nationwide. Storer taught at the San Francisco Art Institute (1981–1999), Sonoma State University (1976 – 1988), San Francisco State University (1970-1973), University of Santa Cruz (Visiting Artist), University of California at Davis (Visiting Artist) and College of Marin (1968- 1973). She received numerous grants and awards, including a Pollock-Krasner Foundation grant in 1999, a Buck Fund Grant in 1995 and 2004, and has been a FAAR (Artist-in-Residence) at the American Academy in Rome (1996 and 1997). Her work is included in the permanent collections of the Fine Arts Museums of San Francisco, CA; Oakland Museum of Art, Oakland, CA; Lannan Foundation, Fort Worth, Texas; San Jose Museum of Art, San Jose, CA;  de Saisset Museum, Santa Clara, CA; Missoula Art Museum, Missoula, MT;  Di Rosa Center for Contemporary Art, Napa, CA; Fresno Museum of Art, Fresno, CA. Storer has two very large murals in the I.M.Pei Tower in Los Angeles, CA, known as the First Interstate World Center. Her work has been critically reviewed in many publications, including Artforum, Art in America, and Artweek. Storer lives in Inverness, California, and maintains a studio in Point Reyes Station, CA.

Looking Backward and Looking Forward…As I dive into the past and look forward to the future, I can see that I do some “pirating” from previous work, which now freely floats into my present ideas. It is not so hard to do, but enough struggle to give it “credence” , confidence and creative motives. All to the good. Not racing around, just sort of a “wallowing in what I know and experimenting with freedom with what I don’t know. A sort of ah, ha moment, pretty generous of the art gods! It comes with age, and criticism also comes with age but it does not matter so much. That is the gift of making art since the first memories of making sand “towers” at around the age of three! So there, all you old critics! All possibilities await in the dark…and how sweet that is for a long and fruitful art practice.

Glue, scraps, photos, letters, images of “Strange and Wonderful Things” await my tools and MORE glue and more search for more data to GRAB!  And finally, my old and often-used mantra was always tossed to so many of my wonderful students and those who filled my life anew.   If one line has stayed with me, it is…”The person who cannot visualize a horse galloping on a tomato is an idiot.” Andre Breton, Surrealist Manifesto

Inverness, California 2023


Recent Installation

Missoula Public Library
2020, Map of the World, 40×70”; mixed media on wood panels, limited edition, printed at Magnolia Editions, Oakland, CA

VIEW >


CV

 EDUCATION

1971   Master of Fine Arts, California State University, San Francisco, CA
1970  Bachelor of Arts, Dominican College, San Rafael, CA

1951-1955 
San Francisco College for Women, San Francisco, CA
The University of California, Berkeley, CA
San Francisco Art Institute, San Francisco, CA
Art Center, Los Angeles, CA

SELECTED SOLO EXHIBITIONS

2024    New Works, Nancy Hoffman Gallery, New York, NY (forthcoming)
2023    Allow Nothing to Worry You, Gallery 16, San Francisco, CA
2019    Trip-Wire; Avenue 12 Gallery, San Francisco, CA
2018    Recent Testimonies; Gail Severn Gallery, Ketchum, ID
2017    Double Take; Orangeland Gallery, San Francisco, CA
2015    Memories from the Back Lot, Seager Gray Gallery, Mill Valley CA
2014    Hidden Agendas, Gail Severn Gallery, Ketchum, ID
2014    Collage, Petaluma Art Center, Petaluma, CA
2013    Made up Stories From an Imagined Past, Seager Gray Gallery, Mill Valley, CA

2012
Then and Now, Smith Andersen Gallery, Palo Alto, CA
Recent Works, Sonoma County Museum, Santa Rosa, CA

2011   Sue Greenwood Gallery, Laguna Beach, CA
2010  Jack Fischer Gallery, San Francisco, CA
2009  Inez Storer, Insinuations, Lobby Gallery, San Francisco, CA

2008
Inez Storer, Grover Thurston Gallery, Seattle, WA
Inez Storer, Marin Museum of Modern Art, Novato, CA

2007
Backlot: Escape from Hollywood, Donna Seager Gallery, San Rafael, CA
Inez Storer, Sue Greenwood Gallery, Laguna Beach, CA
Inez Storer, Anne Reed Gallery, Ketchum, ID

2006
Inez Storer, Grover Thurston Gallery, Seattle, WA
Postcards from the Road, Nathan Larramendy Gallery, Ojai, CA
Inez Storer, Grover Thurston Gallery, Seattle, WA

2005
Seismic Fallout, Catharine Clark Gallery, San Francisco, CA
Inez Storer, Greenwood Chebithes Gallery, Laguna Beach, CA
Inez Storer, Anne Reed Gallery, Ketchum, ID
Inez Storer, Missoula Museum of Art, Missoula, MT

2004
Inez Storer, New Work, Grover/ Thurston Gallery, Seattle, WA
Inez Storer, Sanchez Art Center, Pacifica, CA
Inez Storer, Finn Center, Mountain View, CA
Inez Storer, Intimate Realities, Nathan Larramendy Gallery, Ojai, CA
Inez Storer, Louisiana Tech University, Ruston, LA
Inez Storer, National Museum of Jewish American History, Philadelphia, PA
Museum of Jewish History, Philadelphia, PA

2003
Theatrical Realism: The Art of Inez Storer, retrospective, de Saisset Museum, Santa Clara
University, Santa Clara, CA (catalog)
An Artist’s Artist: The Legacy of Inez Storer, San Jose Institute of Contemporary Art, San Jose, CA
Inez Storer: Encore Narratives, Villa Montalvo, Saratoga, CA
Inez Storer: Layers and Secrets, Bolinas Museum, Bolinas, CA
Inez Storer, Dennis Morgan Museum, Kansas City, MO

2002
The Empress Never Left Her Rooms before Noon, Catharine Clark Gallery, San Francisco, CA
Inez Storer, Snyderman Gallery, Philadelphia, PA
Lies/Fantasies, Grover/Thurston Gallery, Seattle, WA
Startling Disclosures, Jack Meier Gallery, Houston, TX
Elder Arts, Yerba Buena Center for the Arts, San Francisco, CA

2001   
Unsung Heroes,
ArtWorks Downtown, San Rafael, CA
Inez Storer, Grover/Thurston Gallery, Seattle, WA
Inez Storer, Tippy Stern Gallery, Charleston, SC

2000
The Voyage of Your Dreams, Catharine Clark Gallery, San Francisco, CA
Inez Storer, Snyderman Gallery, Philadelphia, PA
Implied Histories, Jack Meier Gallery, Houston, TX

1999
Distinguished Artist Award 1999, Fresno Art Museum, Fresno, CA (catalog)
Mendocino College Art Gallery, Ukiah, CA
Smith Andersen Gallery, Palo Alto, CA
Augen Gallery, Portland, OR
Snyderman Gallery, Philadelphia, PA
Jack Meier Gallery, Houston, TX

1997    Susan Cummins Gallery, Mill Valley, CA

1996
Jack Meier Gallery, Houston, TX
Ann Nathan Gallery, Chicago, IL

1995    Falkirk’s Life Work Award, Falkirk Cultural Center, San Rafael, CA (catalog)

1994    Monterey Museum of Art, Monterey, CA

1993
Olga Dollar Gallery, San Francisco, CA
Smith Andersen Gallery, Palo Alto, CA

1992
Olga Dollar Gallery, San Francisco, CA
AKI EX Gallery, Tokyo, Japan
Christopher Grimes Gallery, Carmel, CA
Art Contact Isakavski Church, St. Petersburg, Russia (catalog)

1990    Jeremy Stone Gallery, San Francisco, CA
1989    Takashimaya Art Gallery, Yokohama, Japan
1987    Rena Bransten Gallery, San Francisco, CA

1983
Rena Bransten Gallery, San Francisco, CA
William Sawyer Gallery, San Francisco, CA

1981    Space Gallery, Los Angeles, CA

1980
Smith Andersen Gallery, Palo Alto, CA
Richard J. Nelson Gallery, the University of California at Davis, CA

1979    San Jose Museum of Art, San Jose, CA

1978
William Sawyer Gallery, San Francisco, CA
Smith Andersen Gallery, Palo Alto, CA

1976    Smith Andersen Gallery, Palo Alto, CA
1975    William Sawyer Gallery, San Francisco, CA
1974    Mills College, Oakland, CA
1965    Reno Museum of Art, Reno, NV
1964    Triangle Gallery, San Francisco, CA

SELECTED GROUP EXHIBITIONS

2021 Collective Curiosities, Toby’s Gallery, Point Reyes Station, CA
2020 FAULTline: The County Experience, Bartolini Gallery, San Rafael, CA
2019    Diaspora Voiced; Rhythmic Cultural Works; Alameda, CA
2018    40 by 40; 40th Anniversary; Sonoma State University Art Gallery Rohnert Park, CA
2018    California Dreaming; San Jose Museum of Art, San Jose, CA
2018    FAULTline; Toby’s Art Gallery, Point Reyes Station, CA
2018    Everybody Knows; Toby’s Art Gallery, Point Reyes Station, CA
2018    Summer of Collage; Palo Alto Cultural Center, Palo Alto, CA
2017    Noh Kimono; Orangeland Gallery, San Francisco, CA
2017    Artist as Maggid: Jewish Folktales; Contemporary Jewish Museum, San Francisco, CA

2016
Inside Magnolia Editions: Innovation and Collaboration; Gerald Peters Gallery, Santa Fe, NM
My Hero; Bedford Gallery at the Lasher Center for the Arts”; Walnut Creek, CA (traveling exhibit
Bird-by-Bird; Palo Alto Cultural Center, Palo Alto, CA

2015
Inside Magnolia Editions: Innovation and Collaboration; Art Museum of Sonoma, Santa Rosa, CA
Out of the Box; A Muse Gallery, San Francisco, CA

2014
Rice Pollak Gallery, Provincetown, ME
Yuma Fine Arts Association; Grand Narratives; Magnolia Editions; Era and Don Farnsworth,  Andrew Romanoff, Inez Storer, Yuma, AZ

2012
The Female Gaze: Women Artists Making Their World, Linda Lee Alter Collection of Art by Women, Pennsylvania Academy of the Fine Arts; Philadelphia, PA
The Nude”; Studio Quercus; Oakland, CA
Digital Mixed Media, Petaluma Arts Center, Petaluma, CA
Gender Specific: Take It or Leave It; Smith Andersen Editions, Palo Alto, CA
Gallery 16, San Francisco, CA
Chain Reaction; de Saisset Museum; University of Santa Clara, Santa Clara, CA
Kala Art Institute; Berkeley, CA
Turner/Carrol Gallery, Santa Fe, NM
Gail Severn Gallery, Ketchum, ID

2010
Story Painters: Drawings, Paintings, Prints and Tapestries by Squeak Carnwath, Hung Lui and Inez Storer, Bedford Gallery, Lesher Center for the Arts, Walnut Creek, CA
Unbound, A National Exhibition of Book Art, Bedford Gallery, Walnut Creek, CA

2009
The book as Art: Artists’ Books From the National Museum of Women in the Arts,
McMullen, Pennsylvania Academy of the Fine Arts, Philadelphia, PA
Inez Storer/Andrew Romanoff; Smith Andersen Editions, Palo Alto, CA
Inez Storer, Thomas Paul Gallery, Los Angeles, CA

2006
New Acquisitions, di Rosa Preserve: Art & Nature, Napa, CA
Eighteen Profiles: Distinguished Women Artists of CA, Fresno Art Museum, Fresno, CA

2005
Found, di Rosa Preserve: Art & Nature, Napa, CA
Paint on Metal: Modern and Contemporary Explorations and Discoveries, Tucson
Museum of Art, Tucson, AZ
Painted Ladies; William Cannon Art Gallery, Carlsbad Cultural Arts Center, Carlsbad, CA

2004
It’s About Time: Celebrating 35 Years, San Jose Museum of Art, San Jose, CA
The True Artist is an Amazing Luminous Fountain, di Rosa Preserve: Art & Nature, Napa, CA
San Francisco Museum of Modern Art Artists Gallery 25th Anniversary Exhibition, San Francisco, CA
Au Naturel, di Rosa Preserve: Art & Nature, Napa, CA
The Legacy Show, San Jose Institute for Contemporary Art, San Jose, CA
Cut, Copy, Paste: The Art of Contemporary Collage, de Saisset Museum at Santa Clara University, Santa Clara, CA

2002
University of CA Berkeley Art Alumni Group Juried Exhibition, Berkeley Art Museum, Berkeley, CA
Individual Artist Granters, Falkirk Gallery, San Rafael, CA
Trillium Press: Past, Present and Future, Kala Art Institute, Berkeley, CA
Elder Arts, Yerba Buena Center for the Arts, San Francisco, CA

2001
Reconstructing Reality, Oakland Art Gallery, Oakland, CA
Collecting Our Thoughts: The Community Responds to Art and Our Permanent Collection, San Jose Museum of Art, San Jose, CA
10th Anniversary Exhibition, Catharine Clark Gallery, San Francisco, CA
Contemporary Devotion, San Jose Museum of Art, San Jose, CA

2000
Retablos and San Francisco Drawings, Catharine Clark Gallery, San Francisco, CA
Group Exhibition, Nightingale Gallery, Water Mill, NY
The Art of Collaborative Printmaking, Smith Andersen Editions, Haggerty Museum of Art,Marquette University, Milwaukee, WI

1999
Diane Nelson Gallery, Laguna Beach, CA

1998
The Art of Collaborative Printmaking, Smith Andersen Gallery, NV Art Museum, Reno, NV
Seas, Lakes and Rivers, San Francisco Airport Commission, San Francisco, CA
Group Exhibition, Susan Cummins Gallery, Mill Valley, CA
Faculty Exhibition, San Francisco Art Institute, San Francisco, CA
In and out of the Cold, Inaugural Exhibition, Yerba Buena Center for the Arts, San Francisco, CA
Couples, San Jose Museum of Art, San Jose, CA
The Body in Question, Wenniger Graphics, Boston, MA
Ventriloquists, American Psychiatric Association, Marriott Hotel, San Francisco, CA
Group Exhibition, Caplan Gallery, Santa Monica, CA

1994
In Out of the Cold, Inaugural Exhibit, Yerba Buena Center for the Arts; San Francisco, CA (catalogue)

1992
Seasons Greetings from CA, Madnudsen Gallery, New York, New York
Crowning Achievements: Hats and Headgear 1952 – 1992, San Francisco Airport Commission, San Francisco, CA
Art Contact: International Federation of Artists, St. Petersburg, Russia
500 Years Since Columbus, Triton Museum of Art, Santa Clara, CA
Why Painting—Part II, curated by Bill Berkson, Susan Cummins Gallery, Mill Valley, CA

1991
One Over One, Smith Andersen Press, Riverside Art Museum, Riverside, CA
Transport, Palo Alto Cultural Center, Palo Alto, CA

1990
The Romantics, Monterey Museum of Art, Monterey, CA
Personal Mythologies and Poignant Moments, Hearst Art Gallery, St. Mary’s College, Moraga, CA

AWARDS & RESIDENCIES

2002
Individual Artist’s Grant, Marin Arts Council, Marin County, CA

1999
Pollack-Krasner Foundation Grant, New York, New York
Public Commission Finalist, San Francisco International Airport, San Francisco, CA

1999
Distinguished Woman Artist Award, Fresno Art Museum, Fresno, CA

1997
FAAR, Visiting Artist, American Academy in Rome, Italy

1996
Individual Artist’s Grant, Marin Arts Council, Marin County, CA
FAAR, Visiting Artist, American Academy in Rome, Italy

1992
San Francisco Art Institute Faculty Grant: Traveled to St. Petersburg and Moscow, Russia to document private collections and contemporary artists’
produced video: Secret Collections

1981
Matching Artist Grants, Indian Valley Colleges, Novato, CA and Ed Janss Foundation, Thousand Oaks, CA. Directed video: Judy North/Joseph Rafael

1980
Four Artists From California, Richard De Marco Gallery, Edinburg, Scotland (catalogue)

SELECTED  PUBLICATIONS

Mementos (Boxed Set 30 images), Chronicle Books, San Francisco, CA
Petite Histoires, Text by Marie Dern, Jungle Garden Press, Fairfax, CA, 2002
The Uneventful Life of Doña Carmen y Costanza, Jungle Garden Press, Fairfax, CA, 1997
Selections from the Permanent Collection, Susan Landauer, The San Jose Museum of Art, San Jose, CA
The Book As Art, National Museum of Women in the Arts; Krystyna Wasserman, Washington, D.C.
The Art Collection of Pacific Enterprises, Jan Butterfield, 1991
100 Artists of the West Coast, Douglas Bullis, 2003

SELECTED CATALOGUES

Eighteen Profiles: Distinguished Women Artists of CA, Twenty-Year Survey 1986-2006, Fresno Museum of Art, Fresno, CA, 2006Paint on Metal: Modern and Contemporary Explorations and Discoveries, Tucson Museum of Art, 2005Selections, The San Jose Museum of Art Permanent Collection, San Jose Museum of Art, 2004
Art Contemporaries, Museum of Contemporary Art, Luther Burbank Center for the Arts, 2004
Artist at Work: Inez Storer by Tucker Nichols
Human Imaging, GE Yokogawa Medical Systems, Cove, Tokyo, Japan
Happenings, VC Reporter, September 4, 2003
Theatrical Realism: The Art of Inez Storer, curated by Karen Kienzle, essays by Bill Berkson, Andrea Pappas, Cathy Kimball and Karen Kienzle, de Saisset Museum,
Santa Clara University, Santa Clara, CA, September 27- December 7, 2003
Inez Storer: Implied Histories, Fresno Art Museum, Fresno, CA
A Past, A Prince, A Poet: The Discoveries of Inez Storer, curated by Jacqueline Pilar, essay by Meredith Tromble, September 7 – October 31, 1999
The Art of Collaborative Printmaking; Smith Andersen Editions, NV Museum of Art, Reno, NV, 1998
lnez Storer, Life Award (Retrospective Exhibition), Essay by Phil Linhares, Falkirk Cultural Center, San Rafael, CA, 1995
In and Out of the Cold, Center for the Arts at Yerba Buena Gardens, curated by Renny Pritikin, San Francisco, CA 1994
Here and Now: Bay Area Masterworks from the René di Rosa Collection, Oakland Art Museum, Oakland, CA, 1994
Ventriloquist, Nicholas Africano, Manuel Neri, Oliver Jackson, Inez Storer, (sponsored by Scios Nova), American Psychiatric Association, San Francisco, CA, 1993
Inez Storer, Olga Dollar Gallery, essay by Bill Berkson, Richmond Printing, San Francisco, CA, 1993
Fetish, Myth and Legend, Hyde Park Art Center, Chicago, IL, 1978

SELECTED FILM & VIDEO

Inez Storer; Implied Histories, de Saisset Museum, Santa Clara Retrospective, 34 minutes; produced by BACV, San Francisco, CA
Eleven Selected Artists for Commissions for Enterprises, 28 min; Peter Kirby, Director, Los Angeles, CA, 1990
12 Artists, (pp.110-113), Video by Peter Kirby, Pacific Enterprises, Los Angeles, CA, 1989

SELECTED BOOKS

Mementos, Chronicle Books, San Francisco, CA 2004
100 Artists of the West Coast, Douglas Bullis, Schiffer Publishing, 2003
West Coast Artists, Ed. By Douglas Bullis, Los Angeles, CA, 2003
Local Color: The di Rosa Collection of Contemporary CA Art, essays by Tessa DeCarlo, Rene di Rosa, Maria Porges, Robert McDonald, Richard Reisman,
Chronicle Books, San Francisco, CA, 1999
Dain Bosworth Art Collection, Minneapolis, MN, 1992
500 Years Since Columbus, The Triton Museum of Art, Santa Clara, CA, Jan/Mar 1992
Crowning Achievements, San Francisco Airport Commission, San Francisco, CA, 1992-93
The Art Collection of Pacific Enterprises, by Jan Butterfield, Pub. Pacific Enterprises, Los Angeles, CA,
Yesterday and Tomorrow: CA Women Artists, Edited by Sylvia March, Midmarch Arts Press, New York, NY, Essay by Robert Loach, 1989
The Art of CA, Oakland Art Museum, Oakland, CA, 1984Four Artists from CA, the Richard Demarco Gallery Ltd., Edinburgh, Scotland, 1980
Artists’ Christmas Cards, compiled by Steven Heller, A & W Publishers, New York,  NY1979
Who’s Who in American Art, Bowker Cattell Press, Ed., NY/London, 1978
Up My Coast, Illus. lnez Storer, Poetry by Joanne Kyger, Floating Island Publications, Point Reyes Station, CA, 1977
O Children of The Wind and Pines, Illus.by Inez Storer, Story by Laura Nelson Baker, J.P. Lippincott, New York, NY, 1967
Prize Winning Watercolors, Compiled by Margaret Harold, Allied Publications, Inc., FL, 1964

SELECTED BIBLIOGRAPHY

Ed. “Jo Lee Talks to a Famous Father’s Daughter.” Jo Lee, Spring 2008.
Woodard, Josef. “In and Out of the Mail.” Santa Barbara News-Press, January 5 – 11, 2007
Campbell, Rob, “A Year In Review,” Nathan Larramendy Gallery, 2004
Nichols, Tucker, “Artist at Work: Inez Storer,” Art Contemporaries, summer 2004
Van Proyen, Mark, “Inez Storer at the De Saisset Museum,” Art in America, October 2004
Fallon, Roberta, “Secrets and Lives,” Philadelphia Weekly, Philadelphia, PA, April 28, 2004
Sozanski, Ed, “Identity and Inner Struggle on Canvas,” Philadelphia Inquirer, Philadelphia, PA, March 26, 2004
Ed. “Dear Diary, I’m Jewish,” Philadelphia Inquirer, (Weekend Section), May 21, 2004
Campbell, Rob, “Real and Imaginary, Inez Storer’s Haunting Charms,” VC Reporter, June 10, 2004
Fallon, Roberta, “Secrets and Lives”, Philadelphia Weekly, May 19-25, 2004
Whiteside, Amber, “Encore Narratives,” Artweek, Montalvo Gallery, February 2004
Woodard, Josef, “In a dreamy State of Mind,” The Los Angeles Times, July 1, 2004
Whiteside, Amber, “Inez Storer at Montalvo Gallery”, Artweek, Volume 35, Issue 1, February 2004
Museum of Jewish History, Philadelphia, PA, Roberta Fallon, Philadelphia Weekly, “Secrets and Lives”, 2004
Woodard, Josef, “A Welcome Addition in Ojai,” The Los Angeles Times, October 23, 2003
Garchik, Leah, “The In Crowd, Out and About,” The San Francisco Chronicle
Trafton, Robin, Dennis Morgan Gallery, Kansas City Star, Kansas City, KS, September 5, 2003
Zell, Valerie, Dennis Morgan Gallery, Kansas City Star, Kansas City, KS, October 3, 2003
Fischer, Jack, “Conjuring Worlds from Bits and Pieces,” San Jose Mercury News, May 27, 2003
Fischer, Jack, “Evocative Art Painted From Memory,” Mercury News, San Jose, CA, October 26, 2003
Ed. “Cut, Copy, Paste: The Art of Contemporary Collage”, de Saisset Museum, Artweek, July/August 2003
Schapp, Rebecca, De Saisset: le temps, de Saisset Museum News, Fall 2003
Sheets, Sally, “Artists Dialogue,” Marin Independent Journal, May 2, 2002
Rhodes, Kristen, “Not So Naive: Inez Storer’s Recent Work,” Charleston City Paper, Vol. 4, Issue 25, February 14, 2001
Hale, David, “Art That Reconstructs the Past,” The Fresno Bee, October 29, 1999
New American Paintings #19 Pacific Coast, Open Studios Press, Wellesley, Maine, 1999
Weinstein, Natalie, “Marin Artist’s Canvas Confronts Hidden Past,” Jewish Bulletin (San Francisco), April 1997
Karkabi, Barbara, “Couple Created Marriage of Art and History,” Houston Chronicle, Houston, TX, June 2, 1996
Ashley, Beth, “Visual Poetry Colours Artist’s World,” Marin Independent Journal, San Rafael, CA, Feb. 18, 1996
Maclay, Katherine, “Two Artists Look at Love, Mixed Doubles,” San Jose Mercury News, San Jose, CA, April 9, 1993
Webster, Mary Hull, “Between Thee and Me,” Artweek, June 18 (cover), San Jose, CA, 1992
Fulton, Jack, “Interview: Marion Parmenter,” Artist’s Dialogue. July/August 1991
Wiewel, Evelyn, “The Well Appointed Bar,” San Francisco Magazine, Vol.3, #5 May 1991
Berkson, Bill, “lnez Storer,” Art Forum, New York, NY, April 1990
Perlman, Jeffrey, “Checking into Art: Chicago’s Fairmont Hotel Makes Art a Way of Life,” Art Today, Chicago, IL, Vol.2, 1990
Brookman, Donna, “A Bay Area Diversity,” Artweek, Oakland, CA, October 15, 1988
Burkhart, Dorothy, “Feminine Statements,” San Jose Mercury News, San Jose, CA, October 14, 1988
Shere, Charles, “Bay Area State of Mind Lives in New Abstracts,” Oakland Tribune, Oakland, CA, June 23, 1987
Solnit, Rebecca, “Arts,” Pacific Sun, San Rafael, CA, September 4-10, 1987
Baker, Kenneth, San Francisco Chronicle, San Francisco, CA, July 9, 1987
Burkhart, Dorothy, “Critic’s Choice,” San Jose Mercury News, San Jose, CA, June 28, 1986
Lagoria, Irene, Monterey Herald, Monterey, CA, March 23, 1986
Solnit, Rebecca, “A Familiar Future,” Artweek, Oakland, CA, July 13, 1985
Cordell, Roland, “North Bay Artist Has Unique Sense of Fantasy, The Business Journal Magazine, March 4, Burkhart, Dorothy, “Critic’s Choice,” San Jose Mercury News, San Jose CA, March 10, 1985
Muchnic, Susanne, “The Galleries,” Los Angeles Times, Los Angeles, CA, April 5, 1985
Shere, Charles, Artweek, Oakland, CA, October 21, 1976
McDonald, Robert, “A Gallery Out of the City,” San Francisco Art Dealers Association Newsletter, San Francisco, CA, Vol.2 #5, 1976
Storer, Inez, “Helping Raise Art Consciousness,” Oakland Tribune, Oakland, CA, August 7, 1976
Terwoman, Beverly, “Woman Artists: Realities,” Independent Journal, San Rafael, CA, September 22, 1976
Wilson, William, “Art Walk,” Los Angeles Times, Los Angeles, CA, September 23, 1976
Messianic, Susan, Artweek, Oakland, CA, October 1, 1976
Glower, Ron, “My Neighbor, The Stadium,” Artweek, Seattle, WA, March 27, 1976
Interviews with Robert Loach, “Women Painters and Their Relations to Art Critics and Collectors,” Zytoe, Athens, Greece, August/September 1976
Loach, Robert, interviews, Joyce Kozloff, Miriam Shapiro and lnez Storer, Beata Panagopoulas VisualDialog, San Jose, CA,
Vol.11, ed., 1976
Shere, Charles, “Interstices,” Oakland Tribune, Oakland, CA, October 12, 1975
Frankenstein, Alfred, “Painted Woods and Whimsical, Philosophical Collages,” San Francisco Chronicle, San Francisco, CA, November 28, 1975
Shere, Charles, “Women’s Show at Mills,” Oakland Tribune, Oakland, CA, October 27, 1974
Frankenstein, Alfred, “New Talent Collects Awards in the Legion Show,” San Francisco Chronicle, San Francisco, CA, March 22, 1964
Art Forum, (review of exhibit at Triangle Gallery), San Francisco, CA, July 1964
Albright, Thomas, “Women Artists Succeed Where Drama Gives Way to Poetry,” San Francisco Chronicle, San Francisco, CA, November 24, 1957

SELECTED PUBLIC COLLECTIONS

Boise Museum of Art, Boise, Idaho
de Saisset Museum, Santa Clara University, Santa Clara, CA
de Young Museum, San Francisco, CA
di Rosa Preserve: Art & Nature, Napa, CA
First Interstate World Center (I.M. Pei architect); Los Angeles, CA (mural)
Lannan Museum, Fort Worth, Florida
Oakland Art Museum, Oakland, CA
San Jose Museum of Art, San Jose, CA
Missoula Museum of Art, Missoula, Montana
University of CA Davis, Davis, CA
Museum of Jewish History, Philadelphia, PA

TEACHING

1981-89   San Francisco Art Institute, San Francisco, CA (Faculty)
1976-88   Sonoma State University, Rohnert Park, CA
1981        UC Davis, Davis, CA (Visiting Faculty)
1976        UC Santa Cruz, Santa Cruz, CA (Visiting Faculty)
1970-73   California State University, San Francisco, CA
1968-79   College of Marin, Kentfield, CA